America is only mentioned a handful of times during the film, and only one American character appears within the entire narrative: a high-ranking officer whose nationality is only discernible by his haircut and the letters visible on his lapel - and he doesn’t have any lines. The war existed before America’s involvement, and significant battles and campaigns occurred without U.S. The miniseries should be of particular interest to English-speaking audiences (especially Americans) who have a tendency to forget or ignore that World War II was, in fact, a global conflict that affected over thirty nations. The remaining two in the group are Viktor (Ludwig Trepte), a Jewish tailor who narrowly avoids the concentration camps to join the Polish resistance, and his girlfriend Greta (Katharina Schüttler), an aspiring singer whose journey echoes the rise and fall of the Third Reich as a whole.
![katharina schüttler unsere mutter unsere vater katharina schüttler unsere mutter unsere vater](https://a2.tvspielfilm.de/imedia/7856/5257856,MNuLUZw08isRMmL9ay29K6tw_z8b7qOU8Zewns5VLlXNNQFnTukVgdlEBDserdnTHtCIDo9GrgZ4PGoQdTeQ6g==.jpg)
Charlotte (Miriam Stein), Wilhelm’s love, joins the Red Cross as a nurse serving in the hospitals along the front. Wilhelm (Volker Bruch) and Friedhelm (Tom Schilling) are brothers serving in the same company marching towards Moscow.
![katharina schüttler unsere mutter unsere vater katharina schüttler unsere mutter unsere vater](https://img.welt.de/img/vermischtes/prominente/mobile114536357/4652503777-ci102l-w1024/Ausgerastet.jpg)
The film’s scope is predictably large, covering nearly the entire duration of the war in Europe while focusing on a group of five friends who occupy various places in society and pursue numerous roles in the war effort. The German title of Generation War is Unsere Mütter, Unsere Väter or Our Mothers, Our Fathers, which is far superior. Such was the case for Germans in the 1930s, who suffered economic depression and instability as a result of their elders’ participation in World War I. Chocolate cereal and VOD services are just a few of the shameless luxuries gifted me by previous generations, who faced hardship and repeated upheaval so that I could order pizza naked in bed.īut it hasn’t always been like this there have been generations mired by the decisions of their forefathers. I know nothing of war, of helplessness, of economic uncertainty (well, I am a broke, post-grad twenty-something, but I don’t think that counts). It was an uncomfortable moment - a representation of the atrocities of war - that was compounded by the relative ease and comfort with which I was digesting it. distribution - when I was startled by the appearance of an unexpected rape scene. I was sitting at my kitchen table enjoying a bowl of Cocoa Pebbles while watching Generation War - a three-episode German miniseries, re-edited into two feature-length parts for U.S.